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Introduction

Edward Campbell

Edward Campbell is Lecturer in Music at the University of Aberdeen, UK. Author affiliation details are correct at time of print publication.

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Music After Deleuze

Bloomsbury Academic, 2013

Book Chapter

0

...The philosopher Gilles Deleuze was not at all a musician and certainly not a music theorist. This fact notwithstanding, this book is predicated on the notion that many of his concepts and ideas can be of great value in rethinking music...

Conclusion

Edward Campbell

Edward Campbell is Lecturer in Music at the University of Aberdeen, UK. Author affiliation details are correct at time of print publication.

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Music After Deleuze

Bloomsbury Academic, 2013

Book Chapter

0

...The concepts that have been introduced in each chapter are interconnected and mutually explanatory, each one hopefully contributing to our understanding of all of the others and working together towards a conception of music that may...

Rethinking musical pitch

Edward Campbell

Edward Campbell is Lecturer in Music at the University of Aberdeen, UK. Author affiliation details are correct at time of print publication.

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Music After Deleuze

Bloomsbury Academic, 2013

Book Chapter

1

... musical spaces in use’ as an urgent objective (Boulez 1971, p. 83).A fuller account of the development of the ideas of smooth and striated space in Boulez can be found in Campbell 2010, pp. 221–8. He calls for the exploration of musical pitch...

Thinking musical time

Edward Campbell

Edward Campbell is Lecturer in Music at the University of Aberdeen, UK. Author affiliation details are correct at time of print publication.

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Music After Deleuze

Bloomsbury Academic, 2013

Book Chapter

0

...Music is a temporal art which, unlike the visual arts, exists by necessity in time. The positing of alternative temporalities is a hallmark of modernism in philosophy and literature, and in music, time and temporality have become the focus...

Music, difference and repetition

Edward Campbell

Edward Campbell is Lecturer in Music at the University of Aberdeen, UK. Author affiliation details are correct at time of print publication.

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Music After Deleuze

Bloomsbury Academic, 2013

Book Chapter

1

... of the virtual is not identical to what we find in Deleuze. See Campbell 2010, pp. 190–2. he went on to repeat that ‘its text is only a “virtuality”’ (Schloezer 1947, p. 19). Gandillac's text is inflected to say that the realization of a work ‘always...

A Deleuzian semiotics of music

Edward Campbell

Edward Campbell is Lecturer in Music at the University of Aberdeen, UK. Author affiliation details are correct at time of print publication.

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Music After Deleuze

Bloomsbury Academic, 2013

Book Chapter

0

...In the fields of music analysis and aesthetics, a key area of research that developed as a result of the structuralist vogue in France is that of the semiotics and semiology of music. While the broad range of semiotic or semiological...

Producing new music

Edward Campbell

Edward Campbell is Lecturer in Music at the University of Aberdeen, UK. Author affiliation details are correct at time of print publication.

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Music After Deleuze

Bloomsbury Academic, 2013

Book Chapter

0

...Deleuze and Guattari and the assemblage While the philosophy of difference, which was the subject of Chapter 1, draws primarily on Deleuze's early work Difference and Repetition, the concepts that are explored in Chapter 2 arise primarily...

The Care of the Self and The Gift of Death

Science, Politics, and Ontology of Life-Philosophy

Bloomsbury Academic, 2013

Book Chapter

3

... 2012. I would like to thank Serena Parekh, Scott Campbell, Paul Bruno, and Josef Velazquez for their patience, generosity, and good ideas.In Plato and Europe, Jan Patočka asks the question: “Can the care of the soul, which...