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Some Varieties of Normativity

David Berger

David Berger teaches philosophy at the University of Michigan, USA. Author affiliation details are correct at time of print publication.

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Kant’s Aesthetic Theory : The Beautiful and Agreeable

Continuum, 2009

Book Chapter

1

... psychological trait to which the pleasures of involuntary memory, like the Taste of the Madeline, appeal—does not license a normative claim that others ought to share my pleasure.I am grateful to David Hills for pointing out the significance...

The Twofold Conception of Taste

David Berger

David Berger teaches philosophy at the University of Michigan, USA. Author affiliation details are correct at time of print publication.

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Kant’s Aesthetic Theory : The Beautiful and Agreeable

Continuum, 2009

Book Chapter

0

...Everyone has his own taste. This we all know to be true even with little or no serious reflection. Our tastes diverge; we do not all find pleasure, or delight, or beauty in the same things, or in the same ways, or on the same occasions...

The Beautiful and the Agreeable

David Berger

David Berger teaches philosophy at the University of Michigan, USA. Author affiliation details are correct at time of print publication.

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Kant’s Aesthetic Theory : The Beautiful and Agreeable

Continuum, 2009

Book Chapter

1

... of the faculties. The pleasure that results from beholding forms those that produce this open-ended and self-sustaining enlivening of the cognitive faculties has no interest, but does have a very general underlying cognitive motive. I am indebted to David...

Sensations and Interests

David Berger

David Berger teaches philosophy at the University of Michigan, USA. Author affiliation details are correct at time of print publication.

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Kant’s Aesthetic Theory : The Beautiful and Agreeable

Continuum, 2009

Book Chapter

1

... am grateful to David Hills for these formulations of the desire conception. I want to note two points. First, the pleasures of the agreeable are generally not pleasures that require this particular object, but rather any old object...

The Attraction-Image: From Georges Méliès to the Spaghetti Western

David Martin-Jones

David Martin-Jones is Lecturer in Film Studies, St Andrews University. Author affiliation details are correct at time of print publication.

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Deleuze and World Cinemas

Continuum, 2011

Book Chapter

1

... starting point in Cinema 1. In short, I contend, there were movement-images prior to those conceived by Deleuze, which I call “attraction-images”.I draw this name from Gunning’s ‘Cinema of Attractions’. David Deamer refers to the period...